360 Tips To The Best Portrait Lens For The Sony A7Ii

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360 Tips to Best Lens For Sony A7Iii Portraits | Best Sony Lens For Video

• The Sony 2x teleconverter (SEL20TC) is currently only compatible with the Sony FE 70-200mm F2.8 GM, Sony 100-400mm GM, Sony FE 200-600 G, Sony FE 400mm F2.8 GM and Sony FE 600 F4 GM lenses. It will not physically fit any other Sony E-mount lenses. - Source: Internet
• With the Sony FE 16-35mm f/2.8 G Master lens, you can have your cake and eat it too when it comes to focal range. This high-quality lens alternates between super wide at 16mm—perfect for astrophotography—with up to 35mm also available for those wider landscape shots. An f/2.8 aperture guarantees low-light capability, while the high-resolution lens means photo details are impressively crisp. - Source: Internet
• It’s not stabilized and weighs 1.5 lb (695 g). But that shows how well-built and weather-sealed it is (as it should be for the price!). There is a cheaper Sony F4 version of this lens, but it’s not as good. There’s best, and there’s second best… - Source: Internet
• The Sony FE 70-200mm F2.8 GM II OSS is a high-performance telephoto zoom lens. The constant F2.8 aperture throughout the focal length range is an outstanding feat. Its large aperture and maximum focal length enable you to shoot distant objects even in low light conditions while simultaneously creating decent bokeh. - Source: Internet
• The image shot using this lens f/4.5-5.6 aperture is less appealing than that of Sony Distagon T* FE 35mm f/1.4 ZA - Source: Internet
• Sony Artisan Bob Krist has used all three of the above new lenses and says,“These three lenses have breathed new life into the APS-C format. They are precisely what serious APS-C shooters have needed. And the usefulness of these lenses to video shooters with full frame cameras cannot be underestimated because the APS-C crop on full frame video looks so great. This will make the zoom, especially useful for outdoor work where you usually have plenty of light and don’t need the super low light capabilities of Sony full-frame.” Learn more about the lenses in the video below. - Source: Internet
• I’m Photutorial’s founder and editor of the camera, graphic design, and photography coverage. I have owned cameras and used cameras for over 20 years, during which I got used DSLRs, mirrorless (now), and even film cameras. I researched Sony lenses when I was choosing between buying a Nikon or Sony camera. In my years as a promoter in tech stores, I’ve got to test loads of cameras and lenses. - Source: Internet
• The best wide angle lens uses low-dispersion glasses elements to deliver excellent color aberration correction. This lens features four low dispersion and one special dispersion glass element to prevent aberrations. In addition, a multi-layer coating reduces flare and ghosting, which is a common occurrence when extraneous light hits the glass. - Source: Internet
• Tamron 17-28mm f/2.8 Di III RXD for Sony… World’s most lightweight large aperture wide-angle zoom in its class (smaller than original F4 lens) - Source: Internet
• If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the 90mm F2.8 Macro G OSS lens. I own this lens myself and love using it for macro work and the odd portrait. - Source: Internet
• The Sony FE 100-400mm F4.5–5.6 GM OSS is light and not particularly big, compared to other options. If you are not a professional photographer willing to wait for hours and days on a tripod to get a great shot, this lens is a great option. - Source: Internet
• Even if the slow maximum aperture of f/4 would make it difficult to separate the foreground from the background, your shots remain sharp when you use f/5.6 onward. Despite the lack of image stabilization, this lens for Sony A7III doesn’t create much blur when paired with the A7III. - Source: Internet
• Our pick Sony 24–105mm f/4 G OSS The best Sony a7S III lens The Sony 24–105mm f/4 G OSS is a great versatile lens for photographers using Sony’s full-frame a-series cameras. With a focal length range of 24-105mm, OSS (Optical SteadyShot), and modest size, weight, and price, this lens is a great option for photographers who want a versatile lens for their camera. $1,398 at Amazon $1,398 at Adorama - Source: Internet
• Choosing the best Sony wide angle lens is definitely difficult. Both the Sony 12-24mm F4 G lens and the Sony 16-35mm F2.8 GM one are strong contenders. However, if you need to go wide, go wide. The 12mm of minimum focal length can give you the extra edge that you need when you really want to capture something massive. - Source: Internet
• I often use my 2.0x teleconverter to make mine into the equivalent of a 140-400mm lens. That gives me slightly more flexibility to frame the larger animals on safari. But it does mean losing a bit of sharpness and a couple of stops of light. - Source: Internet
• If you are a professional photographer and don’t know which lenses you should use. Here is a guide for you. Below we have listed the 3 best lenses that every photographer should have. - Source: Internet
• I carry this lens in my backpack 100% of the time and I have the Sony 16-35mm f2.8 GM Lens mounted on my camera 85% of the time. It is really that good! If you are looking for the best lens to shoot landscape/architecture, I guarantee you, you are going to love this lens. - Source: Internet
• The Sony FE 100-400mm F4.5–5.6 GM OSS lens is the perfect option for a travel telephoto lens. It has a great range, fantastic image quality, image stabilization and the most important one: it’s not particularly bulky or heavy for a telephoto lens. - Source: Internet
• From what I’ve researched, it seems that these two lenses are recommended a lot, Sony E-mount FE 24mm F1.4 GM and Sony FE 24-105mm F4 G OSS. Any thoughts on which one I should go with? should I go with a different lens altogether? Keep the kit lens and pair it up with another cheap lens? - Source: Internet
• The lens is impressive mechanically as well as optically. Its stepping motor autofocus system is very fast and virtually silent in operation, and comes complete with the usual electronically coupled focus ring, which enables very precise manual adjustments. Meanwhile, aperture control is based on an 11-blade diaphragm which remains very well-rounded when stopping down, helping to retain attractive bokeh. - Source: Internet
• This new lens from Tamron is an excellent upgrade from the original A036 and is very similar in price. Everything from the build quality to the autofocus to the optics has been improved, making the A063 an excellent choice for professionals. Although it doesn’t have all the features of the G Master lens, it’s still a great lens. - Source: Internet
• We’re proud owners of a Sony Alpha 7II and we would never want to part without this great camera. In this guide we’ll show you which lenses are available for the Alpha 7 series. If you’re looking for the perfect full-frame lens for E-mount cameras, you’ve come to the right place! - Source: Internet
• The lens is ideal for landscape photography. The image quality is outstanding, even with an open aperture. The lens is also protected against dust and splash water. - Source: Internet
• At f/2.8, Image quality is stellar. Extremely sharp and contrasty across the frame and low aberrations. Stopping down is only needed to increase depth of field. A way to get premium state of the art medium tele performance without the size and weight of faster premium lenses. - Source: Internet
• If you are willing to pay the extra money, the Sony FE 85mm f/1.4 GM lens is a good upgrade. The best features of this lens are the even better low-light performance and the amazing bokeh effect. In this range, this is probably the best lens for bokeh. Sony G-Master’s image quality never disappoints. - Source: Internet
• Sony FE 16-35mm f2.8 GM Lens: If you are looking for a lens for your Sony a7III to shoot landscapes and architectures on your travel, the Sony FE 16-35mm F2.8 lens is really hard to beat. - Source: Internet
• This lens produces beautiful bokeh as you can come to expect from a lens with such a wide aperture. It is also considerably sharper in most use cases compared to other 85mm lenses, even sharper than the Sony 85mm F1.4 GM lens, and best of all, it is almost 700 USD cheaper! - Source: Internet
• Sony FE 16-35mm f2.8 GM Lens: If you are looking for the best wide angle zoom lens for your Sony cameras to shoot landscapes and architectures, the Sony FE 16-35mm F2.8 lens is really hard to beat. - Source: Internet
• The Sony FE 24mm f/1.4 is one of the best wide angle lens for Sony A7III for real estate photographers who prefer to shoot wide open, both in terms of focal length and aperture. It also compliments the high-megapixel sensor of the Sony A7III, exhibiting excellent picture quality from the center to the edges. - Source: Internet
• In terms of focal length range, this lens is a direct competitor to the Sony 12-24 mm f/4. However, the Sigma is significantly faster with an aperture of f/2.8 and still only slightly heavier at around 795 grams. - Source: Internet
• We have nothing bad to say about third-party lenses in general. We actually use Tamron lenses ourselves and are very happy with them. So you might also want to consider going third party to take advantage of a wider range of options or better value for money. - Source: Internet
• The lens performs really well for its price. It comes equipped with optical stabilization which is essential when shooting at this range and a fast and quiet autofocus mechanism that will help you get those sharp wildlife shots you have always wanted to capture. Although, the aperture is quite slow so be sure to use this lens when the light condition is good enough. - Source: Internet
• But you can still shoot handheld. And the Sony a7III’s IBIS system can handle camera shake. The lens just wasn’t meant for action photography. There’s also a touch of pincushion distortion. But the camera should correct that internally. - Source: Internet
• If you want to capture images of the sky at night then you will want a lens that works well for low light photography. Some of the most important characteristics of a good lens for astrophotography are a wide maximum aperture like f/1.4, but the lens should also be sharp at this wide-open aperture and offer decent corner resolution and coma correction. Low vignetting is important to, as is the ability to focus manually since autofocus is out of the question at night. - Source: Internet
• The system is very compact for wide angle and macro. It’s great for traveling. All you need is one port, one camera lens, and two wet lenses - the Nauticam WWL-1 and the macro diopter - Source: Internet
• However, I am very tempted to sell it so that I can afford the Tamron 28-75mm F2.8 Di III RXD lens. So my recommendation would be to buy the Tamron if you don’t want to spend the money on the GM 24-70 lens. - Source: Internet
• If you are only going to get one lens consider the Sony 24-70mm F4 Vario-Tessar T FE OSS, one of the best budget lenses for sony a7iii. This is a great upgrade for your standard kit lens. The shooting range should be enough for most of your travel photos, from landscapes to portraits or street photography. - Source: Internet
• The Sony FE 100-400mm F4.5–5.6 GM OSS lens is fantastic for wildlife photography. It offers great image quality and a great range for not much weight. - Source: Internet
• Sony a7iii + Samyang 35mm f1.4 AF – ISO 2000, f1.4, shutter 1/250. (ambient light) - Source: Internet
• This list of Sony a7III lenses is fairly extensive. But there are plenty of zooms and prime lenses out there. There are lower price points and different zoom ranges. - Source: Internet
• But this is a good lens if you’re not obsessed with smooth bokeh and don’t often shoot in low-light conditions. It’s not part of the G Master series, Yet it has a useful focal range. And the internal zoom mechanism makes it easy to balance on a gimbal tripod head. - Source: Internet
• The Sigma 70mm F2.8 DG Macro lens for Sony E-mount (full-frame) is the first macro lens from Sigma that has been adapted to Sony E-mount. However, the word adapted here is very important since the E-mount version of this lens has been adapted from their Canon and Sigma versions that were originally designed for SLR cameras and not mirrorless. - Source: Internet
• If the 85mm G Master is out of budget then you might want to look at the Sony FE 85mm F1.8 lens. This lens is not as large, heavy or as ridiculously sharp as its larger G Master brother, but it certainly does not disappoint. - Source: Internet
• The Sony FE 35mm F1.8 lens is the best lens if you want to practice your street photography skills. There’s a lot to love in this lens: small, lightweight, fast, sharp, affordable… - Source: Internet
• The 1.4x will extend the reach of the 70-200mm GM lens to 280mm and the 100-400mm GM and 400mm GM lenses to 560mm on a full frame camera like the a7iii, but it will do so by sacrificing one stop of light. Fortunately this does not slow the autofocus speeds of these lenses, however you will notice increased vignetting in the corners wide-open and also a little more software in the images. - Source: Internet
• Tamron 70-180mm F2.8 Lens: For those of you who are looking for a more budget telephoto lens, don’t worry, I’ve got your back. The Tamron 70-180mm F2.8 lens is the best telephoto lens to get if your budget is around 1,200 USD. - Source: Internet
• This lens is also compatible with the Sony FE 1.4x and 2.0x teleconverters helping to extend its reach up to 280mm with the 1.4x and up to 400mm with the 2x. - Source: Internet
• The build quality is as good as it gets for a Sony lens and it is weather sealed against dust and moisture. It is really only the autofocus performance that lets this lens down a little, as it’s most definitely not the fastest. However, eye auto focus works well and unless your subject is moving very fast you shouldn’t have any issues with nailing razor sharp images. - Source: Internet
• As you could come to expect with the Sony GM lenses, the image quality produces with this lens is extremely sharp from corner to corner. The F2.8 aperture allows you to use the lens in any condition which is great for travel as you are often shooting in an uncontrolled environment. This lens is also perfect if you like shooting during sunrise or sunset, as well as astrophotography. - Source: Internet
• Budget pick Tamron 28-75mm f/2.8 The best Sony a7S III lens for beginners Tamron has improved their standard zoom lens for mirrorless cameras with their new 28-75mm f2.8 Di III G2. This lens offers optically superior performance compared to other manufacturers, especially at the short end. $899 at Amazon $899 at Adorama - Source: Internet
• Aside from that, this wide angle lens allows the use of filters to minimize glare, and consequently, enhances colors. With that, you can shoot even if the room has several reflective surfaces, like mirrors and metal countertops. Like most Sony lenses, the Sony 16-35mm f/2.8 lens tends to have modest distortion at 16mm. - Source: Internet
• When Tamron launched their 28-75mm F2.8 Di III RXD for Sony E-mount they really hit a home run. This lens has been sold out everywhere since launch and it’s really not surprising since it offers excellent sharpness and autofocus performance in a compact and lightweight body. - Source: Internet
• The lens is sharp from 24mm all the way up to 105mm even when you are shooting wide open at f/4. If you like MTF charts then Roger Cicala has some over at LensRentals.com. Sony has really gone to town on this lens and it certainly shows. I don’t own this lens myself, but if I had money to burn I would certainly pick one up. - Source: Internet
• The Nauticam WWL-1B is an ultrasharp wide angle wet lens that screws onto the front of a port underwater to convert a 28mm full frame lens to a 130 degree field of view. The reason this lens is so sharp is that it has been designed to work underwater so that your lens focuses on the actual subject in the water and not on the virtual image of the dome. The WWL-1 also allows your lens to focus ultra close to a subject, and has full zoom through capability - which means you can zoom anytime during the dive for a versatile field of view. And to top it off, we’ve found in our tests that a relatively “cheap” kit lens like the 28-60mm often performs better than fast, prime lenses. Although we are not yet sure why this is, there is anecdotal evidence of this happening with other photographers as well. - Source: Internet
• Sony FE 24-70mm f2.8 GM II Lens: This is, hands down, the best zoom lens you can get if you are looking for one lens to do it all. The Sony FE 24-70mm F2.8 GM II lens is an updated version of the wildly popular but old Sony FE 24-70mm F2.8 GM lens bringing new features and technologies to an all-purpose lens while keeping it light and small. - Source: Internet
• Why the new Sony 24-70mm f/2.8 G Master II for video and vlogging? Not only was the newest iteration of the beloved G Master designed for all types of video applications, it’s as mobile as it comes in this class of zooms. When you use this lens you will find it to be smaller, lighter and faster, so it won’t bog you down on a long day of shooting. It’s also packed with a number of features for advanced video creation like its Linear Response Manual Focus and extremely quiet AF operation. All-in-all, it’s one of the most versatile lenses in the lineup and one any content creator will find useful for video. - Source: Internet
• The second Sigma Art lens is a top-notch portrait lens. With a focal length of 105 mm and an aperture of f/1.4 it allows for wonderful bokeh and leaves nothing to be desired. - Source: Internet
• Sony FE 24-105 F4 G OSS: This is hands down one of the best all-rounder lenses out there. A lens with a versatile zoom range that can work for almost any situation: portrait, landscapes, street photography… Great image quality with minimal distortion when it’s wide open. It also features a dedicated focus-lock button and AF/MF switch, which are some of my favourite features on a lens. - Source: Internet
• The most budget option is the Samyang 14mm f/2.8, the ‘old’ manual version (there is also a new Sony E-mount version with autofocus, but it’s not that sharp at f/2.8). If you don’t have a fast wide angle lens and you’re on a budget, this is the lens to get. It’s surprisingly sharp (if you get a good copy, because quality control is a thing with this particular lens). - Source: Internet
• If you are looking for the best telephoto lens to buy for your Sony cameras, the Sony 70-200mm F2.8 GM II is a complete package that is hard to beat. Hit the link below to check out the recent price: - Source: Internet
• Sony a7iii + Samyang 35mm f1.4 AF – ISO 500, f1.4, shutter 1/250. (ambient light from reception) - Source: Internet
• The older version of the same lens is a good alternative—Sony FE 70-200mm f/2.8 GM OSS. It’s around $500 cheaper than the v2, but it has a longer minimum focus distance and suffers from more corner softness. - Source: Internet
• If you need something even cheaper, a great option is taking a prime lens. Prime lenses are much more restrictive since you won’t be able to zoom. However, they offer excellent image quality, are lighter and cheaper. The Sony FE 50mm F1.8 lens is as cheap as it gets, takes amazing sharp images and it’s great in low-light situations. - Source: Internet
• All this comes at a price, of course. This lens is definitely on the higher end of the spectrum, and you should only consider getting it if you are serious about your landscape photography. Especially because the competition is strong. Lenses like the Tamron 17-28mm F2.8 Di III might not have such spectacular sharpness but cost less than half the price, making it a fantastic budget wide angle lens for sony a7iii. - Source: Internet
• This wide-angle Sony G Master FE 24mm f/1.4 lens is the perfect kit addition for everyone from astro and landscape photographers to documentary filmmakers and wedding videographers. The f/1.4 aperture guarantees low-light capabilities with stunning corner-to-corner clarity. And, with a compact and lightweight body, this handy wide-angle lens travels easily, too. - Source: Internet
• The Sony FE 100-400mm f4.5-5.6 lens is not a small or compact lens in any sense but relative to the reach it gives you, this is as small as it gets. The lens is also one of the sharpest Sony lenses out there allowing you to capture crisp and clear images of wild animals like birds or the big five during a safari trip. - Source: Internet
• Sony FE 24-70mm f2.8 GM II Lens: This is, hands down, the best lens you can get for travel for your Sony a7III cameras. The Sony FE 24-70mm F2.8 GM II lens is an updated version of the wildly popular but old Sony FE 24-70mm F2.8 GM lens bringing new features and technologies to an all-purpose lens while keeping it light and small. - Source: Internet
• Sony Artisan and YouTube content creator Miguel Quiles has also used the new Sony 24-70mm f/2.8 G Master II and notes how it, combined with your Sony camera, makes an unstoppable combination. “What stands out to me about this lens is the overall package and how they play off of one another,” he says. “For a lens to be small and fast is fine, but if it’s not sharp and the AF performance doesn’t keep up then it doesn’t matter. In this case, this lens really gives you the best blend of ergonomics, IQ, AF performance, bokeh and everything else!” Watch the video below as Quiles goes through more of the improved features for the new lens: - Source: Internet
• Sony also has the benefit of being able to mount almost any lens to the camera via an adaptor. While these adaptors normally work best when using the lens in manual focus mode, there are more and more adaptors coming out that give you access to full autofocus. This autofocus ability used to be pretty finicky and not something you could really trust. But some of the recent innovations have made some adaptors a very viable option. - Source: Internet
• For a comparison with the Sony 24-70 F2.8 GM lens and the Tamron 28-75 F2.8 see this video from Gerald Undone. - Source: Internet
• Unfortunately like many ultra-wide lenses, the Sony 12-24 has a bulbous glass front element, meaning that it protrudes from the front of the lens. This makes it difficult to attach filters and there is no filter thread. However, thankfully there are now several companies making filter holders for this lens. - Source: Internet
• Macro photographers, listen up: The Sony FE 90mm f/2.8 Macro G OSS Lens is a stellar pairing with your Sony A7III. This powerful lens, a 90mm telephoto macro lens, boasts image stabilization for clear and crisp photos, even when shooting handheld. It also comes with the G Master line’s beloved nine-blade circular aperture for stunning bokeh, not to mention a nano AR coating for impressive and reliable image quality. - Source: Internet
• The Sony 24-105mm f/4 G OSS is another premium yet more practical lens than the Sony 16-35mm. The lens creates sharp images at any focal length with a constant f/4 aperture throughout the zoom range. It’s made of high-quality and durable plastic, while the weather seal is metallic and ensures the lens clicks tightly onto the camera. - Source: Internet
• And yet another 35 mm prime lens from Sony. This lens excels with its incredible lens speed of f/1.4. However, that also means it’s very bulky and heavy. - Source: Internet
• Best of all, the price of this lens is more than half of the Sony 16-35mm F2.8 GM lens, making it one of the best value wide-angle lens you can get. With such an extremely attractive price point, this Tamron lens even had a Sony avid fan like myself think twice about buying the 2000+ USD GM lens over the 900~ USD Sigma lens. If you are looking for an affordable landscape/architecture lens for your Sony camera, this lens is a great option to consider. - Source: Internet
• With a 24MP sensor and 4K video, few cameras can match the power and practicality of the Sony A7III. This mirrorless camera is a must-have for everyone from travel and landscape photographers to wedding and event videographers. It’s the best of all creative worlds, made even better by the vast array of lens options available. No matter your creative endeavors, here are 10 of the best lenses for the Sony A7III. - Source: Internet
• If you are looking for an all-purpose lens that is 85% as good as the Sony GM lens but at more than half the price, you can’t get anything better than the Sigma 24-70mm F2.8 DG DN lens. Just be sure to get a newly released one as their older models suffer dust problems. They have since fixed it though so the lens should be great to buy now. - Source: Internet
• Because of the rather ‘slow’ aperture of f/4, this lens is not that big and is great to fit in your bag. The image quality of this lens is good, but not amazing. Obviously, the GM lenses beat this lens in sharpness, but if you want to shoot super wide then this lens is a great choice. - Source: Internet
• At f/2.8 it is sharp across the frame with pleasant bokeh, vignetting is present but not really a problem. When enlarged a lot you will notice that modern lenses are sharper but most of the time this will matter very little. - Source: Internet
• It also costs around 600 USD which is more than half the price of the Sony 35mm F1.4 GM lens I recommended above. If you are only starting out and are looking to do more street photography when you travel, this lens will be a great lightweight addition to your camera arsenal. - Source: Internet
• Sony FE 40mm F2.5 G Lens: For a cheaper alternative to the Sony 35mm GM lens, you can also grab the Sony FE 40mm F2.5 G lens which is an extremely small and compact lens Sony produces that strikes the perfect balance between price, quality, and form factor. - Source: Internet
• Sony FE 20mm F1.8 G Lens: If you are looking for a lens to vlog your travel with your Sony a7III, the Sony 20mm F1.8 G lens is a great lightweight lens that both perform extremely well while being reasonably priced, making it a perfect starter lens for to start your travel vlogging career. - Source: Internet
• This is an excellent portrait lens that’s well-built and weather-sealed. Its three extra-low dispersion (ELD) elements ensure extremely sharp images across the frame. These are the “sweet spots” of maximum sharpness: - Source: Internet
• The focal length range also makes it a versatile lens. It’s perfect for landscape photography at the ultra-wide end. And it’s a great street photography lens at 35 mm. This is the best 35mm lens for Sony a7III on our list. - Source: Internet
• Another wide-angle lens from Sony. This one has very high-quality build, the product of excellent optical and technical workmanship. And the image quality is impeccable. - Source: Internet
• The lens is very sharp, but the autofocus could be a bit faster. Still, you get a very good lens for your money. It currently costs about 500 euros. - Source: Internet
• Sony sells two types of mirrorless cameras. The a6000 series and ZV-E10 are built around the APS-C size, and its a1, a7, and a9 cameras use the larger full-frame format. Because of this, you need to be a bit careful and ensure that you buy the right lens for your camera. Sony consistently names its APS-C lenses with an E designation, while full-frame options get FE, but third parties don’t always follow suit. - Source: Internet
• It’s sharper at 400 mm than Sony’s 100-400mm lens. And you can always bolt on a 1.4x or 2.0x teleconverter for extra reach. - Source: Internet
• You can get this lens with an aperture of f/1.4 for less than 500 euros. The quality may not be on par wih the Sony lens, but it only costs a third of the price. - Source: Internet
• Sigma 100-400mm f5-6.3 DG DN Lens: For those who are looking for a telephoto lens with a focal range of 100-400mm for wildlife photography and want to save a bit of money, the Sigma 100-400mm F5-6.3 DG DN lens offers a great budget alternative to the Sony GM lens I recommended above. - Source: Internet
• As you can see from the list on top I have used many portrait lenses. And this list does not even contain the ones I was using on Nikon cameras (including AF-S 85mm 1.4G and AF-S 200mm 2.0G VRI). - Source: Internet
• The picture quality is impressive. The images are sharp not just in the center but throughout the frame. It is one of the finest and fastest lenses available for Sony’s full-frame cameras for under two thousand dollars. - Source: Internet
• On top of that, the self-imposed restrictions often make me take better photos than with a zoom lens. I need to think more every time a shoot, and it shows in the end result. Many believe shooting with a prime lens is a great way to improve your skills as a photographer, and I wholeheartedly agree. You just need to get used to “zoom with your feet”. - Source: Internet
• The Sony FE 24-70mm f2.8 GM II lens’s optical performance is also outstanding with its corner-to-corner sharpness, excellent build-quality, and with its fast aperture at F2.8, the lens can produce some stunning bokeh and subject separation while allowing you to produce sharp images even when the lighting is poor. - Source: Internet
• I carry this lens in my backpack 100% of the time and I have the Sony 16-35mm f2.8 GM Lens mounted on my Sony camera 85% of the time. It is really that good! If you are looking for the best lens to shoot landscape/architecture, I guarantee you, you are going to love this lens. - Source: Internet
• Macro lenses are ideal for close up photography. Because they have a 1:1 ratio, which fundamentally implies they can catch your subject at life-size magnification. These lenses are perfect for nature photography, insect photography, and Detail photography. - Source: Internet
• 12mm on the Sony A7RIII. A wide lens lets you get a strong foreground because of the extreme perspective. Photo by: ‘Albert Dros’. - Source: Internet
• The 1.8/135 GM is an ultra high resolving lens with very fast autofocus. Bokeh is very good but not as butterly smooth as GM 85mm 1.4 though. - Source: Internet
• Since it is a prime lens, you won’t be able to zoom. However, I personally find this an advantage when taking street photos. It will force you to move around, to get close to your subject and to think more about what you are actually doing. 35mm is also a great focal length for street photography, as it works well for shooting busy streets, people, portraits… - Source: Internet
• I decided not to compromise on image quality when I bought two Sony a1 mirrorless cameras. I covered all my bases by buying the 12-24mm, 24-70mm, 70-200mm, 400mm, and 600mm G Master lenses. Plus, I bought the 1.4x and 2.0x teleconverters! - Source: Internet
• Not a lens you buy first and foremost as a portrait lens but it is a fine portrait lens none the less. Also the only native manual focus lens in this list beside the Loxia 2.4/85. - Source: Internet
• Furthermore, its Motor AF system delivers quiet yet precise autofocus, as well as intuitive manual focus control. Additionally, the shorter length makes this lens for Sony A7III weigh less than the 16-35mm f/2.8 GM. - Source: Internet
• 4. Sigma 24-70mm f/2.8 DG DN Art Cheap at half the price Specifications Focal length: 24-70mm Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: 82mm Dimensions: 88 x 125mm Weight: 950g Today’s Best Deals Check Amazon (opens in new tab) Reasons to buy + Exotic optical path and build quality + Half the price of Sony’s G Master lens Reasons to avoid - It’s no lightweight at 830g - Distortion/vignetting can be noticeable - Source: Internet
• Its built-in optical image stabilization substantially reduces the visible camera shake while recording videos or taking photos. Sony’s 24-105mm f/4 also features an auto/manual focus switch, a focus hold button, and an optical steady shot button, and it comes with Sony’s Direct Drive SSM (DDSSM) Auto Focus that is quick, precise, and silent. Therefore, the autofocus works as expected for a professional lens, making it suitable for recording films and capturing photos. - Source: Internet
• A brand new G Master version of the 16-35 mm has just been released. With an aperture of f/2.8 and the image quality the G Master lenses are famous for, this lens is the absolute cream of the crop when it comes to wide-angle lenses for the Sony Alpha 7 series. - Source: Internet
• If you need even more range consider getting a teleconverter. They expand the focal length of your lens. This means that they essentially multiply your zoom, at the cost of a narrower aperture, which might have an impact in low-light settings. They are not cheap, but if you are willing to pay for one, consider the Sony 1.4x teleconverter. - Source: Internet
• The tripod foot doesn’t fit Arca-Swiss mounts. But that’s not too much of a problem at a medium focal range. And I like that you can remove it to save even more weight. This is a must-have lens for Sony a7III. - Source: Internet
• Yes, we didn’t include a bunch of interesting lenses. We have reviewed many lenses but there are far more lenses we haven’t reviewed yet and we prefer to know what we are talking about. So with time the list will grow, but have some patience with us 🙂 - Source: Internet
• I advise buying a Sony lens for optimal image quality and compatibility. But that’s not always the best option. Third-party lenses made by Sigma and Tamron are often significantly cheaper. - Source: Internet
• It is very hard to find fault with this lens but if I’m being very picky then AF performance could be faster and the manual focus ring adjustments could be finer for more precision. That said, for macro work I’ll normally adjust the focus by moving the camera back and forth and whilst making use of focus peaking to let me know when the focus is where I’d like it to be. This lens also has optical stabilization built in, making it even easier to get tack sharp images with slower shutter speeds. - Source: Internet
• The Sony Sonnar T* FE 35mm F2.8 ZA is a small beautiful lens that really excels at environmental portraiture and street photography. This 35mm f/2.8 lens is very sharp even when wide-open at f/2.8, bokeh is very pleasing and distortion is very well controlled. - Source: Internet
• Tamron 28-75mm f2.8 G2 Lens: For a cheaper alternative, the Tamron 28-75mm F2.8 G2 lens is also highly recommended for those of you who are looking for a great all-around travel lens that is affordable while retaining 85% of the quality of what you get from premium lenses like the Sony GMaster lenses. - Source: Internet
• This is our top choice of the best Sigma lenses for Sony a7III. Overall, this wide-angle camera lens offers you stunning sharpness. And it’s a fraction of the price of the Sony G Master model. - Source: Internet
• The number of native lenses for Sony mirrorless used to be a reason not to use the camera. But as of today, Sony has a large selection of native glass ranging from fast primes to superzooms. While they still lack some of the large telephoto lenses that some sports shooters need, the lineup is more than adequate for wedding photography. With Sigma announcing their plans to release all their ART glass in Sony E mount as well, the lens selection is only going to get better. - Source: Internet
• With a focal range of 200-600mm and a maximum aperture of f/6.3 at 600mm this lens will help you to get closer to wildlife than ever before. If 600mm is not long enough then you can also add the 1.4x or 2.0x teleconverters. - Source: Internet
• The Sony FE 70-200mm F2.8 GM OSS II zoom lens is an updated (and more expensive) version of its predecessor. I bought mine for three reasons: - Source: Internet
• Sony a7iii + Samyang 35mm f1.4 AF – ISO 1600, f1.4, shutter 1/250. (Ambient light) - Source: Internet
• The lens is exceptionally sharp across the frame. And the autofocus performance is lighting-fast. That makes it ideal for wildlife and sports photography. - Source: Internet
• And this lens certainly lives up to those demands. It can easily go toe to toe with the Sony 24 to 70 mm. Top image quality, fast, quiet, and slightly more compact and lighter than the Sony G Master. - Source: Internet
• When there isn’t time for switching from one prime to the next, the adaptable and powerful Sony FE 24-105mm f/4 G OSS E-Mount lens comes into play. This renowned zoom lens boasts an f/4 aperture throughout the zoom, ensuring low-light capability and speed, not to mention high image quality. This E-mount lens is also speedy when it comes to autofocus, meaning everyone from travelers to street photographers will enjoy this Sony A7III lens. - Source: Internet
• The Sony FE 12-24 F2.8 GM has not long been announced. As soon as reliable information about this lens is available this section will be updated. - Source: Internet
• Sigma 28-70mm F2.8 DG DN Lens: Now if you are not a fan of heavy lenses, and trust me I know how you feel as I travel with big lenses all the time, one of the lighest all-purpose zoom lenses with a fast aperture you can get is the Sigma 28-70mm F2.8 DG DN lens. - Source: Internet
• It’s a robust, complete lens system that benefits from Sony’s early bet on mirrorless, along with support from numerous third parties. Ultra-wide, macro, telephoto—it’s all covered, in one form or another. But figuring out which lens is right for you can be tough, especially if you’re just getting started with the system. - Source: Internet
• Being a G-Master lens, this wide angle lens optical engineering captures powerful resolution. The sharpness is also unparalleled thanks to the stabilization feature. When paired with the excellent imaging capacity of the A7III, this ultra wide angle lens renders high-resolution photos. - Source: Internet
• The lens comes in only 173 grams and 43mm in length which makes it a perfect street lens to travel and carry around on your trip abroad. The aperture of F2.5 is fast enough for most situations and the focal length of 40mm is not too far from the recommended 35mm focal length for street photography. - Source: Internet
• Quote from Roger Cicala on sharpness: “No lens we’ve ever tested has resolved 100 lp/mm this well at any aperture. […] What does this mean for you? Well, in a couple of years if you are shooting a 90-megapixel camera, this lens will be the one that wrings the most detail out of that sensor. Right now it looks at your 43 megapixels and goes, “that’s cute.”” - Source: Internet
• This bag fits two camera bodies, four lenses, two flashes and accessories. It has so many small compartments. It’s the perfect thing to house all of my gear on wedding days. - Source: Internet
• I’m a wildlife photographer, and I used to take two-thirds of my shots with a Nikon 800mm lens. Sony doesn’t (currently) make anything that long. That meant I had to buy the Sony FE 600mm f/4 GM OSS lens and attach my 1.4x teleconverter if I wanted more reach. - Source: Internet
• Mirrorless cameras have a different design than DSLRs. That means their lenses are often smaller and lighter than the DSLR equivalents. This is especially true with lenses for Sony a7III. Lenses such as the 24-70mm and the 400mm prime lens are incredibly light. - Source: Internet
• Sony a7iii + Samyang 35mm f1.4 AF – ISO 100, f3.5, shutter 1/5000. Godox ad600 w/27inch beauty dish - Source: Internet
• With such a lengthy head start, Sony put those five years to good use. It designed and brought to the market a succession of impressive full-frame compatible lenses, while also ramping up its range of APS-C format lenses for its popular line of A6000 series camera bodies. Whatever type of prime or zoom lens you need for your Sony full-frame or APS-C format body, you’ll be able to find an own-brand Sony lens to fit the bill. The only catch is that sometimes the bill can be a little steep, so we’ve taken value into consideration as well in this in-depth guide to the best Sony lenses. - Source: Internet
• Wide-angle lenses make good choices for astrophotography because they have a larger field of view (FOV). This allows you to capture much more in one shot, such as the Milky Way and also some foreground interest. Also the wider the angle of your lens the longer you will be able to expose for before star trails become a concern. - Source: Internet
• For such a compact size and an affordable price point, it is hard to beat the Sony FE 85mm F1.8 lens when it comes to price-to-quality ratio. If you want to save some money, I highly recommend you go for the Sony 85mm F1.8 lens and use the money you saved to invest in other lenses instead. - Source: Internet
• Looking for a complete review of the Tamron 70-300mm lens? Check out:A Traveler’s Review: Tamron 70-300mm F4.5-6.3 Di III RXD - Source: Internet
• Other good alternatives are the Sony FE 50mm F1.8 lens and my beloved Sony FE 55mm F1.8 ZA, which I used for many of the pictures of this blog. - Source: Internet
• Quick final note: We receive several emails every day with questions about which lens is best for a specific purpose. We hope you understand that we just can’t answer them all. As a small company, we simply don’t have the time. If you have any questions, please leave us a comment below the post and we’ll try to get back to you as soon as possible. Deal? - Source: Internet
• Unlike the Tamron 17-28mm F2.8 lens that I recommended earlier, the Sigma lens does go all the way to 16mm which makes it great for many travel applications. The lens doesn’t go as tight as the Sony GM with its 35mm focal range but I am happy to sacrifice the tight focal range for a lens that is more compact and lightweight. - Source: Internet
• Excellent lens. Optically, you get 90% of the Zeiss Batis 2.8/135 performance at a very low price. Keep in mind that AF is useful for some portrait scenarios. - Source: Internet
• As you will have probably noticed that this lens has found its way into 3 different categories. It’s not only a great lens for landscape, interior, and environmental portrait photography, but with its wide-open aperture of f/1.4 it also excels at astrophotography. - Source: Internet
• The lens is almost weightless, which is perfect for long days. I often struggle to pick some of my heavier lenses when travelling because I know by the end of the day I’m going to be sick of carrying my bulky camera. After all, if you pay for a lightweight mirrorless camera like the Sony a7iii, why not take advantage and use a light lens as well? - Source: Internet
• If you are on Facebook then I’d love for you to join one of the many Sony Alpha Shooters groups that I run. There are groups for Sony Alpha landscape, portrait, sports, wildlife, weddings, macro, street, and video shooters, as well as a generic group for everything else Alpha. You can find all of the links here. The groups are a great place to post your shots with your brand new lens! - Source: Internet
• The focal length of 28–75 mm is handy for everyday photography, but it’s ideal for portrait, street, and event photography. This lens is a good option for photojournalists and other media personnel. But you could use it to capture landscapes and cityscapes, too. It is available for purchase for under a thousand dollars. - Source: Internet
• The Sony 24mm f/2.8 G compact prime lens is so small and lightweight it gives creatives the chance to work in a nimble, quick and quiet way while producing incredible footage. The 24mm focal length is a favorite among many video shooters because you can include more of the environment in your shots, allowing you to tell a broader story in scenes while keeping all of that sweet sharpness. The sheer size and weight of the lens makes it a versatile option and when paired with a small camera like the Sony ZV-E10 or Sony Alpha 7C, you have a travel-friendly content creation machine ready to crank out impressively clear video results. - Source: Internet
• It features a double linear motor system for precise, quiet operations that is ideal for film-making. The lens has a circular 9-blade aperture that creates a beautiful defocus effect. Like other lenses from Sony, it has a customizable focus hold button and an AF/MF switch. However, this lens does not offer built-in optical image stabilization. Most recent cameras from Sony now come with an image stabilization feature embedded in the body itself. - Source: Internet
• Combining wide angle perspective and zooming capacities in one, the Sony FE 16-35mm f/2.8 GM is the overall best wide angle lens for Sony A7III. This wide angle lens offers great exposure settings for expansive subjects, which is perfect if you specialize in interiors and exteriors with landscapes. - Source: Internet
• Sony’s FE 100-400mm f/4.5-5.6 G Master OSS is undeniably a cracking lens, but if you want even more telephoto reach, the new 200-600mm delivers it in fine style and is better value. - Source: Internet
• The other nice thing about the Sony A7III when it comes to shooting in the city is that the camera surprisingly small for a full frame camera. When you’re already pulling around photography equipment or backup lenses the size difference is negligible, but if you’re planning to use the Sony A7III as a ‘grab and go’ camera for street photography, it’s size is a saving grace. Even a couple of years after it’s release the small size means the Sony A7III is great in 2022. - Source: Internet
• One of them is the 20 mm with an aperture of f/1.4. The lens is perfect for landscape and architecture photographs. It costs about 800 euros. - Source: Internet
• Sigma 24-70mm F2.8 DG DN Art: If you are looking for a Sony all-purpose zoom lens with the range of 24-70mm but the Sony GM lens is a little out of your budget range, the next best option is the Sigma 24-70mm F2.8 DG DN lens, a great performing lens at a great price. - Source: Internet
• The only real negative thing about this lens is the price. At $11,998.00 in the US or £10,499.00 in the UK, this lens will leave a very noticeable hole in your bank account. - Source: Internet
• The lens is sharp across the frame even when wide-open at f/2.8. It’s well built and despite its heavy weight (1480g) it handles well on the Sony a7iii body. The autofocus is extremely fast and it will rarely miss the shot. - Source: Internet
• The Sony FE 16-35mm F2.8 GM wide-angle lens has excellent sharpness and contrast at all apertures. This is true, especially in the center of the frame. There’s also minimal chromatic aberration, color fringing, and barrel or pincushion distortion. - Source: Internet
• If the Sony 24-70mm F2.8 GM is out of budget or simply far too large and heavy for your style of photography, then the Sony 24-70mm F4 Vario-Tessar T* FE ZA OSS lens may be what you are looking for. The lens is very well built and weighs in at only 426 g which is half the weight of the GM version! - Source: Internet
• The Sony FE 16-35mm f/2.8 GM with very little coma and distortion is a great lens for astrophotography. This certainly isn’t a lightweight lens though as it weighs in at a hefty 680g. Thankfully the build quality is excellent and it’s weather sealed against dust and moisture. - Source: Internet
• Within each series, Sony indicates its superior models by the letter G and names its flagship mirrorless lenses G Master or GM for short. Models involving a partnership with Zeiss are labeled ZA, and are generally pitched between Sony’s own G and GM lenses in quality. Meanwhile, lenses labeled PZ have a Power Zoom for smooth motorized zooming while filming, while those with OSS refer to Optical SteadyShot stabilisation. Phew, enough of the specs and now on to my recommendations; the text links in the next section take you to B&H to check prices, while links to my full reviews and sample galleries are lower on the page. - Source: Internet
• Just as with conventional SLRs, independent manufacturers have kept an eye on Sony’s progress and started designing prime and zoom lenses that compete with own-brand optics. Some of the latest from the likes of Sigma and Tamron deliver similar or even better performance than Sony’s own lenses, while undercutting them for price. Let’s take a closer look at the best buys to suit a range different requirements. - Source: Internet
• We’ve noticed that overall, there is little difference between the image quality in the popular Sony 28mm f/2 prime lens with the Nauticam WWL-1 vs the Sony 28-60mm kit lens. This is particularly true because it is rare for underwater wide angle photographers to capture photos with a very wide aperture. So the only real difference between the lenses underwater is that you have zoom through capability with the kit lens. Although it might seem counterintuitive, we think it makes the most sense to go with the kit lens option vs the prime lens option and the WWL-1 if you’re looking to capture the best scuba diving sites in all their glory. - Source: Internet
• The Sony FE 200-600mm F5.6-6.3 G OSS lens has not been out for very long but it’s already proving itself to be an exceptional telephoto lens for wildlife photographers. - Source: Internet
• If money is not an issue then the Sony FE 400mm F2.8 GM OSS lens already has your name on it. This is the most expensive E-mount lens that you can currently buy and it is most definitely one of my dream lens. - Source: Internet
• Tamron 70-300mm F4.5-6.3 Lens: For those of you who are looking for a more compact and affordable option for a wildlife lens, I can’t recommend the Tamron 70-300mm F4.5-6.3 lens enough. - Source: Internet
• I’m looking to purchase my first lens for my A7iii. I’m definitely not a professional photographer but have had a few cameras through the years. I do travel a lot and have always travelled with the kit lens that came with my cameras and I think it is time to upgrade. I will be using the lens primarily for photography and will rarely use it for video. - Source: Internet
• If you’re taking a trip to London, Rome, or anywhere where midrange lenses shine, the FE 55mm F1.8 ZA lens is going to be one of your best bets. It’s a great midrange lens that’s lightweight and adaptive to pretty much anything you need during a day of city travel. An overall great choice for ensuring the best pictures of your big city vacation. - Source: Internet
• With the new Sony 10-20mm f/4 G PZ lens, you can expect a clean and clear image from corner to corner at all zoom settings. The lens is the smallest and lightest in its class, making it nice and mobile for those long video shoots. While filming you’ll be amazed by how well the autofocus smoothly tracks your subjects in the frame. The electronic power zoom is also a game changer – it gives excellent responsive control and an adjustable zoom speed so you can set it for the specific shot you’re taking. See what creatives are saying about the lens in Hands On With The New Sony 10-20mm f/4 G PZ Power Zoom For APS-C Cameras. - Source: Internet
• I have used this lens for lots of landscapes purely because I love the 12-24mm range. One of the negative aspects of this lens is that you can’t use ‘normal’ filters on it. It doesn’t have a screw thread and you can’t attach 100mm square filters. You will have to buy a separate holder and use 150mm+ filters. - Source: Internet
• The Sony lenses are lightweight enough to be handheld. But the exact focal length depends on what kind of subjects you generally photograph. The smaller the focal length, the longer the lens you need. - Source: Internet
• The Sony FE 85mm F1.8 lens comes at only 371 grams which is perfect for the Sony a7C’s compact body and it costs only around 550 USD retail which is almost half the price of the Sigma 85mm F1.4 DG DN lens. - Source: Internet
• Sigma has certainly thrown the full weight of its technological expertise into the lens. It has a complex optical path of 19 elements. Of these, there are three aspherical elements, six top-performance FLD (‘Fluorite’ Low Dispersion) elements and two SLD (Special Low Dispersion) elements. In addition to Sigma’s usual Super Multi-Layer Coating, there’s a brand new Nano Porous Coating, to further reduce ghosting and flare. - Source: Internet
• We caught up with photographer, traveler, engineer, and Bluewater Photo customer Kyle Wagener, to hear his thoughts on the Sony 28-60mm w/ the Nauticam WWL-1 as the ultimate Sony wide angle system. All the photos you see in this article are Kyle’s when he joined us for some adventures with Crocs and Cenotes on our underwater photoworkshop - photographed with the Sony A7R IV. Here are Kyle’s 20 pros & cons after shooting the Sony 28-60mm kit lens and the Nauticam WWL-1: - Source: Internet
• Despite being called a macro lens, the Sony FE 90mm f/2.8 Macro G OSS lens is also an excellent portrait lens and one of the sharpest lenses that Sony has ever built. DxOMark reviewed this lens and said that its outstanding, scoring higher marks than both the Canon and Nikon equivalents. - Source: Internet
• Bokeh is good but not as good as larger faster 135s when stopped down. Wide open it shows as expected, more cat eyes than an f2 class lens stopped down. Contrast is also higher in the bokeh area than the 2/135 Classic. No onion rings, no LoCA - Source: Internet
• Zeiss Loxia 2/50 4.5 The Zeiss Loxia 2/50 is one of the best modern manual focus lenses out there, and is worthy of being called Editors’ Choice. $699.00 at Amazon See It (Opens in a new window) Zeiss Loxia 2/50 Review - Source: Internet
• Telephoto lenses come with a longer focal length. They also allow you to take photos of the subjects that are further away. Besides, they provide excellent background blur that helps to separate your subject from the background. Telephoto lenses are mostly used for Wildlife photography, Sports photography, and Astronomy. - Source: Internet
• This lens does show signs of coma from f/1.8 to f/2.5 and you might even see traces of coma at f/2.8 if you have very bright stars at the edges of the frame. However, coma is still not as prominent as on many other wide-angle lenses, and also you are unlikely to have very bright stars at the edge of the frame, so I still think it’s a very good choice for astro shooters. - Source: Internet
• If you can find one for a good price, go for it. Another nice property of this lens is the ‘sunstar’ that it produces. When photographing into the sun, this lens has a very distinctive sunstar that you can recognise immediately over every other lens. I think it’s beautiful, but that’s subjective, of course. - Source: Internet
• Cameras that can swap out lenses, like those in Sony’s mirrorless system, don’t work with just any lens. You need to shop for one that’s made for your camera. If you opt for the Sony system, you benefit from a decade’s worth of lens development, which means there are oodles of optics from which to choose. - Source: Internet
• Portrait lenses don’t come much better than this. The wide maximum aperture is perfect for working in low light. And the 11-blade diaphragm and high-precision eXtreme Aspherical element? They provide smooth, circular bokeh highlights. (Sony built a new mold-making machine. That way, the lens wouldn’t produce ugly ones shaped like onion rings!) - Source: Internet
• Unlike most up-market zoom lenses for DSLRs, this one has a widest available aperture of f/4 rather than f/2.8, which helps to make its size and weight a better match for the comparatively small A7 series bodies. As with most Zeiss-badged optics, the physical design looks minimalist, without any switches for auto/manual focus modes or on/off for the OSS (Optical SteadyShot) stabilizer. Even so, the metal lens barrels feel beautifully engineered and the build is dust/moisture resistant. Sharpness is good and very consistent throughout the zoom and aperture ranges although the corners become a little soft at longer zoom settings. - Source: Internet
• For a budget telephoto lens, check out the Tamron 70-300mm F4.5-6.3. Tamron is making more and more telephoto lenses for mirrorless cameras lately, which is great news! Some of the Tamron lenses for sony a7iii are an excellent option for a budget version of the more expensive Sony and Zeiss ones. - Source: Internet
• So anyway, there’s a potential trade-off. If you must shoot at smaller apertures in a particular situation (for the increased depth-of-field), you might struggle in low light if you want to take advantage of the fantastic AF-C focus tracking. AF-S will (with most lenses) open up for AF, plus the camera’s AF assist beam is available, but you lose the continuous focus tracking. - Source: Internet
• So the best approach is to use “native” lenses designed for the Sony a7III. That generally means a Sony lens. But one Sigma lens and one Tamron lens do make our list. - Source: Internet
• Helped by the inclusion of one aspherical element and five ED (Extra-low Dispersion) elements, sharpness and contrast are outstanding for a super-telephoto zoom and amazingly consistent throughout the entire zoom range, right up to 600mm. Color fringing and pincushion distortion are also very negligible at all focal lengths. Autofocus is super-fast and, unusually for a super-telephoto zoom, the physical length remains constant at all focal lengths. All in all, this is a fabulous lens for both full-frame and APS-C format Sony cameras. - Source: Internet
• Sigma designed the 14-24mm F2.8 DG DN Art wide-angle lens from the ground up for mirrorless cameras. It’s weather-sealed. And the build quality is excellent—although it weighs only 1.8 lb (795 g). - Source: Internet
• The Sony FE 70-200mm F2.8 GM OSS lens has a maximum focus range of 200mm, so your subject will need to be reasonably close if you want them to fill the frame. However, with a constant wide-open aperture of f/2.8, this is a great lens to use in low light situations or when you want the smoothest bokeh. - Source: Internet
• The Sony FE 85mm F1.4 G Master is an exceptional lens and one which every portrait photographer should own if they don’t already. Sharpness across the frame is already excellent from f/1.4, flare resistance is very good, as is control of chromatic aberration. - Source: Internet
• The best lenses and sharpest lenses are in Sony’s premium G Master (or Gold Master) range. These figure highly in this list. If needed, you can read our article on Sony lens abbreviations first. - Source: Internet
• The Sony SEL E Mount 14TC 1.4x Teleconverter gives you even more flexibility with your E-mount lenses. That’s especially true for lenses with a long focal range. - Source: Internet
• I’ve never owned a Sony FE 85mm F1.4 GM portrait lens (or any other 85mm lens, for that matter!). But that’s because I don’t often find myself shooting portraits or still life shots. - Source: Internet
• If you are taking a telephoto lens for taking pictures of animals as part of a trip, you are probably going to take part on a safari or something similar. Long and heavy lenses are useless here. You are in a moving vehicle, most likely hand-holding your camera, and taking pictures of moving animals. - Source: Internet
• What is surpizing about this lens is that the autofocus is actually faster than the GM version. The bokeh isn’t quite as smooth as the GM, but it certainly comes very close. I own this lens myself and certainly have no plans to sell it anytime soon. - Source: Internet
• Sony FE 35mm f1.4 GM Lens: In street photography, you will be running around shooting at moving subjects that often move spontaneously and you will need a lens that is at the most natural-looking focal length, unobtrusive, and extremely fast which is why I recommend the Sony FE 35mm F1.4 lens. - Source: Internet
• A 35mm lets street photographers take people shots without getting too close. Choosing a 24-70mm or 28-75mm gives you much more flexibility. So you might be able to avoid buying another lens. - Source: Internet
• As I already mentioned when talking about the best landscape lenses, the Tamron 17-28mm F2.8 Di III is a good budget option if you need a wide-angle lens. Sometimes you don’t need to best of the best, and an acceptable but solid option is preferable. - Source: Internet
• As I mentioned in the wildlife section, a good option is to take a small telephoto lens and buy a teleconverter to increase the range. It’s expensive to buy both of them, but it might be worth the investment when you really need that extra edge. The Sony 1.4x teleconverter is a good one. - Source: Internet
• But of all these the Sony FE 85mm 1.4 GM really stands out to me as it has an outstanding optical design. The spherical aberration is oh so slightly undercorrected which leads to an amazingly smooth bokeh rendering which you rarely see in modern lenses. But unlike many older lenses it is still more than sharp enough already wide open. - Source: Internet
• Optical vignetting (catseyes) higher at f1.8 than faster lenses stopped down. But not more than other f1.8 lenses. - Source: Internet
• The best part about this lens is its form factor. Sony called this lens the world’s lightest Full Frame F2.8 constant aperture standard zoom lens weighing only 690g which is unheard of for such a versatile lens. - Source: Internet
• I also use aperture priority with AUTO-ISO set to minimum 100, maximum 6400. Shutter Speed is set to 1/250, I tried the auto FAST & FASTER settings which for FAST basically means the Sony cameras will try to keep the SS ~ x2 the focal length of the attached lens. FASTER I think is roughly x4 the focal length which seems like overkill to me and obviously impacts the ISO the camera will then use. 1/250 is fast enough to freeze motion with any of my lenses, which unless I’m trying for something creative, is perfect. - Source: Internet
• Sigma 16-28mm F2.8 DG DN Lens: Again, the G Master lenses are not cheap and it might not be reasonable to buy them especially if you are just starting out so for those of you who are looking for an excellent but affordable architecture/landscape wide-angle lens for your travel, I highly recommend you take a look at the Sigma 16-28mm F2.8 DG DN lens. - Source: Internet
• The image quality is very good and the lens is extremely fast with a maximum aperture of f/1.4. Only the autofocus leaves something to be desired with this lens. - Source: Internet
• The 45 mm is special because the focal length is rather unusual. The normal focal length for full-frame lenses is typically around 50 mm. In purely mathematical terms, however, 45 mm is closer to the field of vision of the human eye, making this lens an interesting alternative. - Source: Internet
• Designed to appeal to those shooting sports, wildlife and action with fast cameras like the Sony a6600, the 70-350mm f/4.5-6.3G OSS super-telephoto lens is an exciting new addition to Sony’s APS-C range. It promises high optical performance, with built-in optical image stabilisation, plus typical G master lens sharpness from corner to corner. Offering 5x optical zoom, the lens is still relatively lightweight and would be a great addition to any kit bag. - Source: Internet
• The Sony FE 24-70mm F2.8 GM is one of the very few zoom lenses that can keep up optically with many of the best prime lenses. It’s extremely well built, weather sealed from dust and moisture, and the autofocus is fast and accurate. - Source: Internet
• For those of you who are looking for the best and lightest travel lens to buy for your Sony a7III, this is the one to get. It is a little expensive but considering the impressive quality-to-size ratio, I think it is worth the price tag. This lens is truly the one lens to rule them all. - Source: Internet
• I can either use it on its own or pair it with my 1.4x teleconverter to get the equivalent of an 840mm lens. That flexibility is ideal as you can’t zoom in and out with a prime lens to help with your framing! - Source: Internet
• Wide-open at f/2.5 and the lens is already incredibly sharp both centrally and even towards the edges of the frame. Bokeh is very smooth and free from onion rings, although you will see some cat’s eyes which don’t really improve as you step-down. CA is extremely well controlled. - Source: Internet
• There are also photographers who prefer primes to zoom lenses in regards to landscape photography. Prime lenses often offer more sharpness. However, these days the zoom lenses are of such high quality that the sharpness often does not differ to an extreme amount. - Source: Internet
• As you can come to expect with the Sony GM lenses, the image quality produces with this lens is extremely sharp from corner to corner. The F2.8 aperture allows you to use the lens in any conditions which is great for travel as you are often shooting in an uncontrolled environment. - Source: Internet
• Zooms are good general-purpose lenses. And it helps if the zoom range is in the middle—not too short and not too long. You can always carry a specialist wide-angle or telephoto lens with you, too. - Source: Internet
• It doesn’t have image stabilization. But that’s not a problem with the Sony a7III, which has in-body image stabilization (IBIS). It’s also not this type’s smallest or lightest lens at 1.9 lb (847 g). But that doesn’t stop you from shooting handheld for long periods. - Source: Internet
• It has an internal zoom mechanism, which means it doesn’t get longer or shorter as you zoom in and out. It accepts 77 mm screw-in filters. And a handy window in the lens hood lets you rotate a circular polarizing filter if you have one. - Source: Internet
• I don’t shoot many portraits at the moment so I don’t maintain a dedicated portrait lens. When I need to take portraits I usually use my Voigtlander 2.5/110 Macro which I bought mostly as a nature and landscape lens. It isn’t super fast and manual focus can be a challenge for portraits but I usually get along with it quite fine. - Source: Internet
• While the Sony 12-24mm f/4 is less expensive than the 16-35mm f/2.8 GM, expect a bit of vignetting and softness in the frame’s corner when shooting at the widest aperture. Still, the optics of this wide angle lens keeps lines straight, not curved or bowed. - Source: Internet
• Build quality is excellent and it weighs just 565 g, which is 47 g more than the popular Sony 16-35 f/4 FE lens. The lens has very impressive corner sharpness even when wide-open at f/4, there’s minimal distortion and almost no COMA for night photography. However with a widest aperture of f/4 the 16-35 F2.8 GM lens or the 24mm F1.4 GM lens are more likely to be the first choice for astro shooters. - Source: Internet
• Sony FE 70-200mm F2.8 GM OSS II Lens: To complete our trinity of fast zoom lenses for your Sony cameras, the best telephoto lens you can get to go with your Sony 16-35mm F2.8 and Sony 24-70mm F2.8 is the Sony 70-200mm F2.8 GM II lens. - Source: Internet
• Because the sensor is slightly smaller, the body is also more compact than its full-frame competition. It has two card slots, and the aperture control is on the camera’s lens, which I really like from a usability standpoint. While Fujifilm doesn’t have the legacy lens options Canon and Nikon offer, Fujifilm’s X-mount lenses are generally excellent with some real standouts like the 56mm f/1.2 and the 24mm f/1.4. - Source: Internet
• There are currently so many brands creating lenses for the Sony E-mount system that it’s hard to keep up. The brand new Sony 14-24 f/2.8 Sigma lens that was designed for the E-mount system is an interesting option. As there are currently not many tests out yet and I haven’t used it for more than a few days, it’s hard to currently say how good this lens performs. - Source: Internet
• I bought my Sony FE 400mm F2.8 GM OSS telephoto lens after watching an unboxing video by Tin Man Lee. At one point, the wildlife photographer showed how light the lens was by picking it up with his finger and thumb! - Source: Internet
• The lens comes with a fast aperture of F2.8 allowing you to shoot incredibly sharp images even in the poorest lighting condition. Not to mention its new autofocus system that allows you to keep up with fast subjects like birds and its optical stabilization which should help smooth out your photos and videos on the longest end. - Source: Internet
• David’s preferred travel portrait lens. Resolution and contrast are excellent from wide open. If you don’t mind the weight and cost the GM 85 is the better lens for portraits, with nicer and greater bokeh, but the Batis is smaller and lighter and can be purchased used at a good price – and for landscape etc use is in the same exceptional class. While the Sony FE 1.8/85 is a lot cheaper and and also very good, the Batis is somewhat sharper and more contrasty according to Roger Circala’s tests at Lensrentals, and handles flare a little better. - Source: Internet
• Although it lacks optical stabilization, the A7III’s built-in stabilization can resolve this. Unlike other wide angle lenses faster than f/2.8, the Sony FE 24mm f/1.4 doesn’t suffer from chromatic aberrations, making it the best wide angle lens for Sony to use when you want the highest image clarity. - Source: Internet
• In AF-S mode, the aperture will be at f5.6 while you are viewing the live image, and when you press the shutter halfway (or push the AF-ON button), the lens will open up to f1.8 to let more light in during AF, then stop back down to capture the shot. - Source: Internet
• Without doubt, the Sigma 14mm f/1.8 Art is one of the best ultra-wide angle lenses ever made to this date. This lens has been available in both Canon, Nikon and Sigma mounts for some time, but now Sigma has adapted this lens for Sony E-mount. So you are basically getting an SLR designed lens with an adapter bolted on, this means that it does retain its considerable size and weight. - Source: Internet
• The Sony FE 24-70mm f2.8 GM II lens’s optical performance is also outstanding with its corner-to-corner sharpness, excellent build quality, and with its fast aperture at F2.8, the lens can produce some stunning bokeh and subject separation while allowing you to produce sharp images even when the lighting is poor. - Source: Internet
• This lens offers a larger zoom range with a focal length of 70-300 mm. The downside is the underwhelming aperture between f/4.5 and 5.6. - Source: Internet
• This lens, too, does not feature in-built image stabilization. Instead, the surface of the lens has Tamron’s BBAR (Broad-band anti-reflection) coating that reduces ghosting and flaring and preserves crisp image quality. In addition, this Tamron lens has an integrated new high-speed precision AF drive system with an RXD (Rapid extra-silent stepping drive) motor unit. The AF motor is fast, precise, and surprisingly silent. - Source: Internet
• It’s a versatile lens, most suitable for travel photography and videos. The 24-105mm range is perfect for capturing landscapes and close-up portraits. You can also use it for wildlife photography, to some extent. However, it is more suitable for event photography, street photography, and portrait photography. This lens is available to buy online for just over a thousand dollars. - Source: Internet
• The images it produces have excellent color, contrast and impressive sharpness across the frame. Sadly the lens is not weather sealed like its larger GM brother, so you need to be a little more careful when the rain comes down. I also own this lens myself although it is collecting dust since I picked up the GM version. - Source: Internet
• To be clear, you can still use a prime lens or zoom lens that doesn’t have the E-mount. But you have to fit an adaptor. That’s inconvenient and means you won’t get the most out of your camera. - Source: Internet
• Sony FE 35mm F1.8 lens: An excellent lens for a classic focal length. 35mm and 50mm are probably the most popular out there, and for a good reason! A 35mm lens is an excellent compromise between a wider lens and one that gets a bit more personal. - Source: Internet
• The Sony FE 90mm f/2.8 Macro G OSS lens is one of the sharpest lenses that Sony has ever built. DxOMark reviewed this lens and said that its outstanding, scoring higher marks than both the Canon and Nikon equivalents. - Source: Internet
• I hope this blog post has been helpful in your quest for finding the perfect lens. Buying a new lens is expensive, so making a good decision is important. However, remember that there are no wrong answers! Even if the lens you buy is not what you were looking for, by using it you might discover a new way of taking photos. And even a new way of seeing the world. - Source: Internet
• By creating the Sony FE 24mm F1.4 GM lens Sony has proven that you can build an excellent lens into a very small package. The lens is extremely well built, weather sealed against dust and moisture and weighs in at only 445 g. - Source: Internet
• The lens has a 55mm focal length, which is roughly within the range of a normal lens. This means that the field of view is quite similar to the human eye. Even when I have a zoom lens I find myself going back to 35mm or 55mm quite often, because that’s how I perceive the world. And while the claims of normal lenses being close to the human experience are not without controversy, I think there’s at least some truth in there. - Source: Internet
• Thankfully the build quality is excellent and it’s weather sealed against dust and moisture. The 11 circular aperture blades delivers ultra-smooth bokeh, focusing is fast and silent, and the sharpness is excellent across the frame. I own this lens myself and it very rarely leaves my gear bag. - Source: Internet
• It’s also a bit faster with a lens speed of f/1.2 and the image quality is exceptional. And so is the price. The lens currently sells for about 1,350 euros. - Source: Internet
• If you’re headed ‘out there’ and need something a little more robust to take wide landscape shots, the Zeiss a fantastic option. It’s one of the oldest wide-angle lenses on the Sony e-mount system, but that doesn’t mean it’s been outclassed over time. The lens is like a cast iron pan, it’s not new, but it’s the best thing in the kitchen. - Source: Internet
• The Sony 28-60mm kit lens works great with both the CMC-1 and CMC-2 wet macro lenses. The CMC-1 tends to have a little more magnification than the CMC-2 and can be slightly more difficult to use underwater. Therefore, we usually recommend starting with the CMC-2. All you need to do underwater is zoom into 60mm with the kit lens and screw on the CMC-2, get close to your subject and start taking excellent macro photos. - Source: Internet
• It has a very compact build, is sealed against dust and splash water, and even comes with a filter thread. What’s more, it has a practical zoom range of 17-28 mm and a very good lens speed of f/2.8. - Source: Internet
• Another interesting wide angle zoom option is the Tamron 17-28 f/2.8. This lens is very light and sharp but lacks range on both ends. It’s a compromise but not a bad choice at all. - Source: Internet
• As a travel blogger, I take seriously my photography gear. Almost all photos on the blog are taken either by me or my partner, so we are very picky when it comes to our lenses. I am the happy owner of a Sony a7iii, one of the best travel cameras out there. This camera has been my companion for many of my trips. I also happen to have a full array of sony full-frame lenses that I have used while travelling, and I’m happy to share my experience and recommendations with you. - Source: Internet
• However, this AF-C behavior has changed somewhat with newer Sony bodies, and now in some cases if shooting at small apertures, you can adjust the “Aperture Drive in AF” setting to allow the lens to at least partially open up for focus if more light is needed. However, this feature is not exactly clear and understandable, as it seems to only work with certain lenses, and then on top of that the lens dependency seems to vary based on camera model… on the A1 it seems to be available with most of my lenses, but on the A9 the option is grayed out with most of my lenses mounted (but at the same time, it does still seem to at least somewhat exhibit the same behavior even though the setting is grayed out). But admittedly, I have not done extensive testing and analysis of this feature, as I so very rarely shoot stopped down. - Source: Internet
• Weighing in at only 0.98 pounds, this lens for Sony A7III is very light for a full-frame ultra wide angle lens that features a fast maximum aperture. Its compact size and overall weight also give a balanced feel when attached to the Sony A7III. Similarly, the size improves mobility and portability. - Source: Internet
• more than other f1.8 lenses. A little bit larger than, say, the Sony 1.8/85 but still very light. - Source: Internet
• Sony’s mirrorless lenses corrected for use on full-frame bodies like the A7 and A9 series, are labeled FE and have no reduction in their field-of-view when shooting in full-frame modes; these also work on cropped bodies or in cropped modes, albeit again with a 1.5x field-reduction. Sony’s A-mount lenses have SAL in their product codes, but models additionally labeled with DT are designed for bodies with cropped / APSC sensors. - Source: Internet
• If you are looking for the longest possible telephoto lens for your Sony cameras, the Sony FE 200-600mm F5.6-6.3 G OSS lens is the way to go as long as you don’t mind the size and the slower aperture. - Source: Internet
• Superbly sharp and ultra low CA at every aperture. When first released many thought it the best full frame lens for any mount. Still very competitive. - Source: Internet
• Modern mirrorless cameras have some very tangible advantages over DSLRs at this point in the game. For example, autofocus tracking has gotten impossibly good with mirrorless. And buying a mirrorless camera allows you to use legacy DSLR lenses as well as new mirrorless lenses as they come out. There are a few budget DSLR options on this list, but mirrorless is the way of the future, and that’s probably where you should be if you’re investing in a photography business. - Source: Internet
• Quality-wise, it’s a great lens. We definitely recommend it over the Sony 12-24 and if you can live without 35 mm, also over the Zeiss 16-35 or the Sony G Master. And last but not least, the lens is also comparatively affordable at around 1,450 euros. - Source: Internet
• If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the 90mm F2.8 Macro G OSS lens. I own this lens myself and have no plans to let it go anytime soon. - Source: Internet
• Its shortest focal length might also be a little long for landscape photographers. And it also has no stabilization. But that’s not really a problem as the Sony a7III already has IBIS. This is the best budget lens for Sony a7III. - Source: Internet
• While Sony’s mirrorless lens mount is generically-known as the E-mount, the single letter E on a model name specifically refers to lenses that are only corrected for cameras with cropped APSC sensors, like the A6000 series, or full-frame bodies running in cropped / Super-35 modes; in either case, the crop reduces the field-of-view by 1.5 times, so a 50mm becomes equivalent to 75mm. Note older NEX bodies also employ cropped APSC sensors, but may not have the firmware to correct distortion on some of the latest lenses; they’ll still work, but you may see more distortion that you would on an A6000 series body. - Source: Internet
• Putting a midrange lens like the Sony FE 55mm F1.8 ZA onto the A7III is a fantastic street photography experience as it’s a lightweight package that acts as a good ‘generalist’ setup. If you’re looking to take some landscape shots during your travel, then you might want to look into a lens like the Sony Zeiss 16-35 for a better wide-angle experience. - Source: Internet
• The Sony 14mm F1.8 GM lens is designed to do just that. With the ultra-wide focal length of 14mm, you will be able to capture the stunning landscape in all its glory while also retaining the expansiveness of the night sky all in one frame. - Source: Internet
• What impresses me the most is that Sony is providing this massive A9 update for free. With Canon and Nikon, firmware updates are typically sparse, consisting primarily of bug fixes, lens compatibility additions, and just very minor usability improvements. Some of this is due to hardware limitations, with the separate focus/exposure modules of a DSLR limiting what can be done with software updates alone. - Source: Internet
• 2. Sony FE 16-35mm f/2.8 GM The ultimate wide-angle zoom lens for Sony photographers Specifications Focal length: 16-35mm (24-52.5mm APS-C) Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: 82mm Dimensions: 89 x 122mm Weight: 680g specifications Storage Size 32GB - 64GB Colour Black Condition New, Refurbished Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Stunning optics + Fast and silent AF Reasons to avoid - Expensive - Heavy - Source: Internet
• For those of you who are looking for the best Sony all-purpose zoom lens that comes with excellent performances while remaining relatively lightweigh and compact, this is the zoom lens to get. It is a little expensive but considering the impressive quality-to-size ratio, I think it is worth the price tag. This lens is truly the one lens to rule them all. - Source: Internet
• To help you decide on the best lens for your intended use, I’ve categorized the lenses into the following groups. Please note that there is a little duplication between the groups but this should hopefully make it much easier for you to find the lens that you are looking for. You can click any of the below links to jump to the type of lens that interests you the most. - Source: Internet
• Despite its simplicity, this lens for Sony A7III also has dust and splash-proof construction. On top of that, you can enjoy all of these features at an affordable price. In fact, this is the most inexpensive wide angle lens that’s suitable for the Sony A7III. - Source: Internet
• This lens is the lightest and most compact telephoto lens of its class with a fast aperture of F2.8, a weight of 800 g (1.79 lbs), and a form factor that is no bigger than a small APS-C telephoto lens. It comes with a fast autofocus mechanism and an optical performance that is way beyond its price point. - Source: Internet
• If you are looking for the best native 100-400mm zoom lens for shooting wildlife (my Borneo adventure), sports and action, then look no further than the Sony FE 100-400mm f/4.5-5.6 GM OSS lens. I’ve owned this lens since it was released and it has rarely been off my camera since. - Source: Internet
• Looking for a complete review of the Sony 16-35mm F2.8 GM lens? Check out:A Traveler’s Review: Sony 16-35mm F2.8 GM Lens - Source: Internet
• It has an aperture of f/1.8 and a surprisingly good image quality. At 500 euros, this portrait lens definitely offers the best value for money in the market. - Source: Internet
• This is one of the Sony lenses that receives mixed reviews. Some people love it whilst others don’t rate is so favorably. I own this lens myself and although it’s certainly not as sharp as the GM version, the images it produces are sharp enough unless you really enjoy a good pixel peeping session. - Source: Internet
• The Sony FE 35mm F1.8 lens is not only one of the best prime lenses for Sony a7iii, it’s also the best prime lens for travel. As much as I love the 50mm lenses, a short focal length offers a wider angle of view. It might not be the best Sony portrait lens, or the best landscape one, but it’s a great compromise between all options. - Source: Internet
• This lens is extremely sharp across the frame even when wide open at its maximum aperture of f/1.4. Distortion is well controlled as is the coma making this a great lens for astro photography. - Source: Internet
• This lens is also known for being one of the sharpest zoom lenses on the market, so you’ll be sure your shots are of great sharpness on any Sony E-mount camera, especially the high megapixel ones like the A7RII, III and IV. The lens is also of great build quality and has a nice sunstar to it. The only ‘negative’ to this lens is that it’s the most expensive of all the choices. But if you can afford it, go for it. - Source: Internet
• This fairly chunky optic nonetheless only weighs in at a pretty modest 371g thanks to a predominantly plastic construction, but balanced really nicely on the Alpha A7R II we tested it with. The design is very clean - so much so that there’s no distance or DOF scales, but those niggles aside, it’s a cracking portrait lens. Focusing is nice and brisk while the nine-blade diaphragm delivers to really beautiful bokeh. Optically, there’s little to fault it on either - it’s incredibly sharp at the centre of the frame through the aperture range. If you can’t justify one of the more exotic Sony portrait lenses, this is a great option. - Source: Internet
• At 600mm this lens is sharper than the Sony FE 100-400 + 1.4x is at 560mm. At 400mm this lens is also a touch sharper than the 100-400 which considering it’s a G lens and not a GM lens is really quite something. - Source: Internet
• The Tamron 28-75mm F2.8 Di RXD III (Model A036) lens is only compatible with Sony Alpha-E mount cameras. This lens has always been in great demand due to its convenient focal length range and constant F2.8 aperture. - Source: Internet
• Although this lens has a bright aperture of f2.8, it has a very bad transmission (T4.5) and will behave like a f4.5 lens in exposure. Therefore, this lens is more limited to good weather applications or tripod work. - Source: Internet
• Nevertheless, the lens is an affordable starting point for getting into photography, especially when purchased in a kit. And its compact size really comes in handy when you’re traveling. The lens currently costs 380 euros on its own. That’s an okay price, but you can save even more money buying it in a kit. - Source: Internet
• The best reason to buy a Sony FE 24-70mm F2.8 GM II zoom lens? Like all G Master lenses, Sony designed it with the highest image quality in mind. The lens offers phenomenal sharpness at all apertures and distances. - Source: Internet
• But it’s a great option. It’s only 20 mm long and weighs 4.4 oz (126 g). And it’s compatible with the following Sony lenses for Sony a7III: - Source: Internet
• Prime lenses are usually lighter and shorter, and this one is no exception. If you are used to carrying bulky lenses give this one a chance. It might shock you how much of an effect it can have! - Source: Internet
• The bokeh is silky smooth and possibly the best of all the current 24mm f/1.4 lenses available. Autofocus is fast, quiet and super accurate. I own this lens myself and absolutely love it. I’ll be writing a review for it just as soon as I get a little free time. - Source: Internet
• Now, there’s one important caveat about how great the Sony AF system is. In a very low light shooting environment (like a dark reception venue), shooting AF-C and with no AF assist beam, you need fast lenses. In low light, AF works best with f1.4 - f2 primes, though you can probably get by with an f2.8 zoom in most cases depending on how dim the light is. - Source: Internet
• This is a big lens and it weighs 2115g without tripod mount and is 318mm in length. It’s also an internal focusing lens and the short zoom throw makes going from 200mm to 600mm a breeze. Because it doesn’t extend it also balances very well on a gimbal. - Source: Internet
• This makes it a good lens for headshots and close-up portraits. The Sony FE 85mm F1.4 GM lens (discussed below) is better suited to full-body portraits. But out of all of the best prime lenses for Sony z7III, this is likely the best one. - Source: Internet
• The RIIIIIIIING shots!! Tight, macro shots that show the details of rings, garter beading and more. This lens is small and light. It doesn’t make any sense to me to carry around a 2lb lens for the 10 macro shots I get at each wedding. I’d much rather tuck it in the corner of my bag and forget about it until I need it. It can be used as a portrait lens or a macro lens. - Source: Internet
• 12. Sony FE 90mm f/2.8 Macro G OSS Big-up the little things in life with this macro lens Specifications Full-frame compatible: Yes Focal length: 90mm (135mm APS-C) Maximum aperture: f/2.8 Aperture blades: 9 Weather seals: Yes Filter thread: 62mm Dimensions: 79 x 131mm Weight: 602g specifications Storage Size 64GB Colour Black Condition New, Refurbished Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Super-sharp for extreme close-ups + Useful as a fast, short telephoto lens Reasons to avoid - Expensive for a macro lens - Distance scale inactive for autofocus - Source: Internet
• I can’t talk about travel lenses without mentioning prime lenses. Prime lenses have a fixed focal length. They are kind of the opposite of a zoom lens. This means, of course, that you can’t zoom at all with them! - Source: Internet
• Handling is excellent, with well thought-out controls that have effectively the same layout to those of the smaller 100-400mm lens. Three customisable focus-hold buttons are fitted around the lens barrel and there’s an autofocus range limiter. It’s enhanced in the 200-600mm lens, however, enabling you to lock out either short or long focus range and the optical stabilizer gains a third switchable mode. - Source: Internet
• The F1.8 aperture is going to make sure the lens performs no matter the light conditions. Going out on an evening walk through the city? No problem! The images are still going to be excellent. - Source: Internet
• This lens is great for almost anything. You can go out with the confidence that you might not need another lens. In fact, I often use exclusively my Sony FE 50mm F1.8 lens, another prime lens with a similar focal length, and my favourite lens so far. - Source: Internet
• The Sony 12-24mm F4 G gives you basically an ultra wide lens for your sony a7iii. The image quality is good overall. It has a great sharpness in the centre, with a small but significant drop towards the corner of the image. This is a small disadvantage when compared to the superb sharpness that the Sony 16-35mm F2.8 GM provides, but I’d say it’s a good trade-off. - Source: Internet
• I often go on game drives with two lenses. I bring my Sony FE 24-70mm F2.8 GM lens on one camera and my Sony FE 600mm F4 GM OSS lens on the other. So I’m ready for anything! - Source: Internet
• You should also consider the lens family. Sony gives its better optics a G designation and reserves the GM (G Master) moniker for its highest-quality lenses. If you own a high-resolution a1 or a7R model, it’s often worth it to splurge on a GM lens, but you can usually get excellent results with more affordable lenses if you work with an a7 or a6000 camera. - Source: Internet
• The Tamron 70 to 180 mm is a real insider tip. The lens has a speed of f/2.8 in combination with a focal length of 70 to 180 mm. It’s very compact for this type of lens and only weighs 815 grams. - Source: Internet
• Standard lenses have a focal length in the range of 40mm and 60mm. The most widely recognized focal length is the one that falls directly in the center – the 50mm, giving you generally a similar field of view as the naked eye. Standard lenses are excellent all-rounders. - Source: Internet
• If you are looking for the best possible wide-angle zoom lens then you don’t need to look any further than the Sony FE 16-35mm f/2.8 GM. This certainly isn’t a lightweight lens though, as it weighs in at a hefty 680g. - Source: Internet
• As Bastian is keen on those super fast 170-200mm lenses we decided to include a few of those as bonus coverage. Some people say these lenses are the holy grail for portrait photography as they draw the smoothest and most beautifully blurred background bokeh. But they are not easy to handle and usually very expensive. - Source: Internet
• This is the smallest and lightest 28-70mm F2.8 lens you can get for Sony cameras with the lens’ weight coming in only 471 grams (1.04 lbs) which is very impressive. - Source: Internet
• STF – Smooth Transition Focus. Lenses that employ special APD lens groups that get thicker towards the edges and, because of that, reduce the amount of light passing through. These lenses are designed to deliver extremely smooth, silky out of focus bokeh. - Source: Internet
• The Sony a7III is a mirrorless camera . It can take any Sony E-mount lens built by Sony or a third-party manufacturer. Sony was amongst the first camera manufacturers to enter the mirrorless market. So you have a wide range of Sony a7III lenses to choose from. - Source: Internet
• Over time, more lenses became available, and the capabilities of the cameras grew. Around 2018, Sony’s A9 and A7iii were at a level where they met or surpassed my requirements, including improved low light shooting and the inclusion of dual memory card slots. Later during this year, Nikon and Canon announced their own full-frame mirrorless camera bodies, but the fact that they only had a single card slot, in my view, made these otherwise intriguing cameras unsuitable for professional wedding photography. - Source: Internet
• Sony 85mm F1.8: Are you looking for a lightweight, high-quality and affordable lens? Then this is the lens for you. This prime lens is a fantastic all-round portrait lens. And probably the best option when it comes to travel. There are slightly better, heavier and expensive options, but this is the best value for your money. - Source: Internet
• This lens from Samyang also has an unusual focal length with its 75 mm. 85 mm is more common for portrait lenses, but the 75 mm in combination with its aperture of f/1.8 is just as capable of producing a great background blur, so you can really make your subject stand out. - Source: Internet
• However, one thing that most street photographers will agree on is that wide-angle lenses below 35mm are generally more difficult to use for street. If you are shooting people with a lens under 35mm then you will literally need to be in their face to get the photo. That said, some street shooters like to use a 24mm to allow them to include more of the surrounding environment in their photo. - Source: Internet
• Tamron 28-75mm f2.8 G2 Lens: For the most affordable all-purpose zoom lens, the Tamron 28-75mm F2.8 G2 lens is also highly recommended for those of you who are looking for a great all-around travel lens that is affordable while retaining 85% of the quality of what you get from premium lenses like the Sony G Master lenses. - Source: Internet
• Like Sigma’s 24-70mm Art standard zoom for Sony mirrorless cameras, this one has evolved from a very popular lens that was designed for Canon and Nikon SLRs. Again, there are considerable differences in the construction of the E-mount version, starting with the optical path. The veritable feast of glass includes three aspherical elements, complete with a large-diameter, ultra-high-precision one at the front. Further back, there’s an FLD (‘Fluorite’ Low Dispersion) element and no less than five SLD (Special Low Dispersion) elements. Also like the standard zoom, the ultra-wide lens uses both Super Multi-Layer Coating and Nano Porous Coating, which give a noticeable reduction in ghosting and flare, compared with the older SLR lens. - Source: Internet
• While I personally love my 55mm lens, I have started to fall in love recently with my new Sony FE 35mm F1.8 lens. I get that extra breathing space that sometimes is vital when doing street photography. And thanks to the amazing quality of the Sony a7iii I can still crop something too wide without losing too much quality. - Source: Internet
• The Sony FE 35mm F1.8 lens has superb performance in low-light situations. This makes it ideal for night street photography enthusiasts. No matter if you are shooting the intense neon lights of Hong Kong or Osaka at night or a dimly lit alley in Dublin, the image quality will be rock solid. - Source: Internet
• The image quality of this lens is incredibly close to the Sony FE 24-70 F2.8 G Master lens, which is mind blowing considering the G Master costs double the price! This is Tamron’s first native lens for Sony E-mount and I most definitely hope that it’s the first of many. I don’t own this lens but would certainly like to. - Source: Internet
• Ultra-wide-angle lenses start at around 12 mm. They give you a great field of view. But they usually lead to more distortion. That may be a good thing if you can control it. But it’s easy to tilt your camera accidentally and throw off all your vertical lines! - Source: Internet
• This will always be my favorite portrait lens. The 1.4 makes my clients POP off the background. - Source: Internet
• Looking for a complete review of the Sigma 85mm F1.4 DG DN Art lens? Check out:A Traveler’s Review: Sigma 85mm F1.4 DG DN Art Lens - Source: Internet
• Street, wedding, and portrait photographers rave about this 50mm G Master prime lens from Sony, starting first and foremost with that f/1.2 aperture. This speed guarantees crisp images, even in low-lit situations. Plus, the dazzling G Master bokeh strikes again, making subjects stunningly pop against a softly blurred background. Fast and accurate autofocus further add to the array of features, making this a must-have lens for the Sony A7III. - Source: Internet
• If you haven’t bought a Sony Alpha 7 III yet, we recommend purchasing the camera in a kit. That way, you’ll spend a bit less on the lens than if bought separately. Sold individually, it’s currently available for about 300 to 400 euros. - Source: Internet
• As usual in ultra-wide lenses, the lens hood is an integral part of the barrel and protects the bulbous, protruding front element. As such, there’s no attachment thread for the direct mounting of filters. However, the new E-mount version of the lens adds a gel filter slot in its mounting plate, complete with a locking device, and comes with a template for cutting gel filter material to size. - Source: Internet
• ZEISS Batis 18mm f/2.8 for Sony E Mount Mirrorless… VERSATILE FULL-FRAME LENS: The powerful lens for the mirrorless full-frame system of Sony fulfills… - Source: Internet
• After Tamron’s success with their 28-75mm F2.8 Di III RXD lens they now bring us a wider alternative in the Tamron 17-28mm F2.8 Di III RXD. Similar to the 28-75mm this lens offers great sharpness wide-open in a compact lightweight body and at a very reasonable price point. - Source: Internet
• For a small and handy wide-angle lens, it’s hard to beat the ultra-compact Sony FE 24mm f/2.8 G Full-Frame lens. This speedy prime comes with the G Master line’s high-quality promise, meaning corner-to-corner resolution and a seven-blade circular aperture for stunning bokeh. And, at a weight of only 162 grams (less than half a pound), it’s easy to carry this wide-angle lens around the world. - Source: Internet
• Although this lens has a bright aperture of f/2.8, it has a very bad transmission (T5.6) and will behave like a f/5.6 lens in exposure. Therefore, this lens is more limited to good weather applications or tripod work. - Source: Internet
• Sigma’s Art lenses have an uncompromising design ethic that goes all out for enabling artistic flair and creativity, no matter if they end up being quite large and weighty. The 24-70mm f/2.8 standard zoom for Canon and Nikon SLRs is typical of the breed but the new ‘DN’ version for Sony mirrorless cameras is more of a complete redesign than a simple tweak with a different mounting plate. It’s also about 200g lighter, making it more manageable on a svelte Sony mirrorless body, but is still pretty weighty at 830g. - Source: Internet
• The Sony 24-70mm F4 Vario-Tessar T FE OSS is also one of the lightest zoom lenses out there. This makes it the ideal companion for long days during your trip. Definitely, a solid option if you only want a cheap lens for sony a7iii to take on your trip. - Source: Internet
• Still, despite this lens being adapted from their SLR versions, it is a beautiful lens that costs almost half the price of the Sony FE 90mm F2.8 G OSS macro lens. The images that it produces are razor sharp across the frame, chromatic aberration is well controlled as is distortion. The bokeh is silky smooth and the lens feels like all Sigma Art lenses do, extremely well built! - Source: Internet
• 5. Sigma 14-24mm f/2.8 DG DN Art Ultra-wide viewing angles with top-notch quality Specifications Focal length: 14-24mm (21-36mm APS-C) Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: N/A Dimensions: 85 x 131mm Weight: 795g specifications Colour Black Condition New, Refurbished Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Great image quality + Robust, weather-sealed construction Reasons to avoid - Less ‘ultra-wide’ than Sony 12-24mm - Not a ‘zero distortion’ lens - Source: Internet
• If you want a cheaper alternative, consider the Sony FE 50mm F1.8 lens. It’s still a solid choice for a 50mm prime lens. - Source: Internet
• It’s quite bulky for a 50 mm lens, but the photo quality is excellent all around. The price isn’t exactly low at just under 1,400 euros. But then again, it’s certainly justified for a high-quality lens with Zeiss technology. - Source: Internet
• The Voigtlander 110mm F2.5 Macro APO Lanthar is an incredibly sharp macro lens that offers the Sony FE 90mm F2.8 G Macro lens a good run for its money. With a comfortable working distance of 17cm and superb build quality, this lens is most definitely on my wish list. - Source: Internet
• Sony launched the FE 12-24mm F2.8 GM ultra-wide-angle lens as the “world’s widest f/2.8 zoom.” It’s suitable for astrophotography, landscapes, and architecture. Outside, you can get dramatic leading lines and distorted-perspective views of skyscrapers. - Source: Internet
• The Sony 1.4x teleconverter (SEL14TC) is currently only compatible with the Sony FE 70-200mm F2.8 GM, Sony 100-400mm GM, Sony FE 200-600 G, Sony FE 400mm F2.8 GM and Sony FE 600 F4 GM lenses. It will not physically fit any other Sony E-mount lenses. - Source: Internet
• Tamron lens is also known for producing tack sharp images which is also the case for this lens too. If you are looking to get into wildlife photography and do not want to spend 2,000+ USD for a lens, the Tamron 70-300mm F4.5-6.3 lens is hands down, the best lens to get. - Source: Internet
• It is a lens designed specifically for those who are looking for a fast telephoto lens that is travel-friendly, fast enough to capture action shots, and best of all, light on the wallet. If you do not mind the lack of optical stabilization and the 20mm on the wide end, the Tamron 70-180mm F2.8 lens is a great alternative to the more expensive Sony GM lens. - Source: Internet
• It has an Internal Focus (IF) system, which means the lens doesn’t change length when focusing. And the lens minimizes focus breathing, focus shift, and axial shift for zoom for video. This means a more stable and accurate composition when recording. - Source: Internet
• The lens has a variable aperture of F4.5-5.6, an extremely fast and silent autofocus motor, and the build quality would make some Ferrari’s blush. The lens is also weather sealed against dust and moisture so you won’t need to pull out your plastic bag when the rain comes down. - Source: Internet
• Sony a7iii + Samyang 35mm f1.4 AF – ISO 5000, f1.4, shutter 1/250. (ambient light) - Source: Internet
• Again, there’s a cheaper f/1.8 version available. But this list contains the best lenses for Sony a7III, not the cheapest! - Source: Internet
• The Sigma 105mm f/1.4 DG HSM Art Lens for Sony full-frame E-mount is an exceptionally sharp lens even when shooting wide-open at f/1.4. Autofocus works almost as fast as Sony native lenses in good lighting, but in poor light autofocus starts to struggle a little more. There is very little in the way of vignetting and almost nonexistent chromatic aberrations. - Source: Internet
• When it comes to wide angle zoom lenses, the selection is fairly limited. Sony has a total of three lenses on offer, which are very good but unfortunately also very pricey. Then there’s also one from Tamron and another from Sigma. - Source: Internet
• Fuji is the other mirrorless camera system that is widely used by wedding photographers, and I did consider it. The most tempting aspect of this system was that the camera bodies and lenses are generally a bit more compact and lighter that Sony’s, but this is largely due to the fact that Fuji uses a crop sensor, and I preferred to stick with full-frame. And in addition to Sony appearing to have a more sophisticated and robust autofocus than Fuji, high ISO images are a bit cleaner. - Source: Internet
• We were lucky enough to snatch up a bargain at a clearance sale, but even at full price, it’s a very affordable lens. The image quality is simply outstanding for the price, but unfortunately the autofocus is very loud and slow. If you can live with that, this lens is definitely a good investment at less than 200 euros. - Source: Internet
• The Sony 10-18mm f/4 ultra wide zoom is a unique lens that’s been in the Sony lineup for years and still holds firm as a favorite for video shooters today. It’s lightweight, it’s sharp and it adds that ultra-wide perspective video shooters often need to tell the whole story. Videographer and content creator Chris Brockhurst creates videos for his YouTube Channel where he explains how he uses different gear in real-world situations. He likes to shoot wide-angle and finds it especially useful when creating real estate videos, and he relies on the Sony 10-18mm f/4 lens to get the framing he needs. In his video below he shows the wider field of view provided by the Sony 10-18mm f/4 as he takes you on a real estate shoot with his video rig. - Source: Internet
• The biggest drawback of this is that the focusing ring is much narrower than the zoom ring, so the focusing ring can sometimes be difficult to locate when moving too fast. Considering that this is a budget wide angle lens for Sony, it doesn’t include a stabilization system. However, the Sony A7III can cover that for you. - Source: Internet
• Cameras can’t exist on their own; you need lenses to go with them. What kind of lenses you pick depends on what body you choose. When considering a system, peruse the company’s current lens offerings to see what’s currently available to match your shooting style. It’s worthwhile to check the secondary and refurbished markets, too. In that regard, Canon and Nikon have a big advantage over the competition because there are a ton of older DSLR lenses out there that still have lots of life left in them, thanks to first-party adapters. - Source: Internet
• Of course with a lens that compact, there are some trade-offs in performance. For example, the lens only has an initial aperture of f/4-5.6. It isn’t protected against dust and splash water, and there are certainly better lenses in terms of image quality. - Source: Internet
• Kit deals are also available for professional cameras. Who would have thought? Since it was barely more expensive than just buying the body, we also bought our cameras in a kit with the 28-70 mm, f/3.5-5.6 zoom lens included. - Source: Internet
• Sigma 150-600mm F5-6.3 DG DN Lens: If you looking for a cheaper alternative to the Sony 200-600mm super-telephoto lens with the same reach but way more affordable, the Sigma 150-600mm F5-6.3 DG DN lens is definitely worth a look. - Source: Internet
• I’ve had the A7iii for 2 years now and recently rented a Sony FE 135mm f/1.8 GM lens to shoot a family portrait for a friend. I was blown away with the sharpness and the smooth bokeh effect that it provided. - Source: Internet
• If you feel like you need a f/1.4 lens and are on a limited budget this might be your lens since it offers an excellent price/performance ratio. You should be aware though that it might break one day. - Source: Internet
• Moving to a different system is an expensive proposition, and thus is not something that is done frequently or on a whim. Pro-level camera bodies are costly, as are lenses, which are generally not compatible with other brands (adapters are available for certain combinations, but can be cumbersome to use and can reduce the usability of features). The switch to Sony is the third time I have made such a move in my 15+ year wedding photography career. - Source: Internet
• Sony FE 600mm F4 GM OSS The Sony FE 600mm F4 GM OSS is a big, serious lens for capturing distant action, but its price makes it purely for professionals and very serious enthusiasts. MSRP $12,999.99 MSRP $12,999.99 Sony FE 600mm F4 GM OSS Review - Source: Internet
• Any video shooter’s wishlist of requirements for their kit of lenses can really be boiled down to three things: they create high-quality footage, they cover the focal range you need, and they don’t weigh you down. It can seem difficult to put together a kit filled with lenses that don’t sacrifice at least one of these requirements, but you can have it all in each of these Sony lenses built with video creation in mind. Sony isn’t messing around with these compact masterpieces – they’re built well, they perform well and they won’t overwhelm your kit – especially paired with cameras like the Sony ZV-E10 and Sony Alpha 7C. Video shooters and vloggers check out the list of lenses below for a closer look at why they each check the boxes for evolved video quality, complete versatility and unmatched mobility. - Source: Internet
• The ultimate goal of these Nauticam systems is to easily switch between macro and wide angle underwater. This is possible with the Natuicam bayonet mounting system. The bayonet mount allows you to attach a lens with a simple quarter turn, rather than screwing it on. The other lens can be mounted onto your strobe arm for easy access and storage. - Source: Internet
• Sony a7iii + Samyang 35mm f1.4 AF – ISO 100, f3.5, shutter 1/2500. Godox v860ii flash - Source: Internet
• We’d say that the Sony 135 mm is the better alternative to the Zeiss 135 mm. The main difference is the higher lens speed of f/1.8, which makes it much easier to create a bokeh effect. - Source: Internet
• The two main problems with the lens are the lack of image stabilization and a filter thread. Again, though, solutions do exist. The Sony a7III comes with in-body image stabilization (IBIS), which should do the trick on its own. - Source: Internet
• The Zeiss Batis 18mm f/2.8 is another powerful ultra wide angle lens for sony that is compatible with the A7III. Despite its minimalist design, its features can meet the quality and detail requirements of real estate photographers. - Source: Internet
• Sony FE 85mm F1.8 Lens: Even though the Sigma 85mm F1.4 DG DN lens is the best portrait lens to get, it is not as light and affordable as this lens and if you are looking for a travel portrait lens that is the most compact and lightweight but capable of producing stunning bokeh, the Sony FE 85mm F1.8 is a much better option for you. - Source: Internet
• The Sony FE 55 F1.8 ZA is a prime lens, which means you won’t be able to zoom with it. I personally like the restriction, since I believe it forces me to think more when I shoot. In the digital era is too easy to take pictures mindlessly. Having a prime lens makes me stop and think. - Source: Internet
• Despite its downsides, at only 899 USD retail, this Sigma lens is a steal, especially for the surprisingly great performance, the lightweight and compact form factor, and the super-telephoto reach you can get from it. If you are looking for an affordable super-telephoto lens, the Sigma 100-400mm F5-6.3 DG DN is the one to get. - Source: Internet
• Let’s look in detail at the best lenses for the Sony a7III. I’ve sorted the list by minimum focal length, from the shortest to the longest. It includes the best zoom lenses for Sony a7III. But first, I recommend the best teleconverter for Sony lenses. - Source: Internet
• Buying the “wrong” teleconverter might mean you can’t even use it with your lens. Or it won’t work with the autofocus (AF) system due to compatibility issues. It might also mean a deterioration in image quality and focusing speed. - Source: Internet
• The Sony a7iii is an expensive camera, and the lenses are pricey as well. However, that doesn’t mean that you have to spend thousands to get one. There are plenty of good quality lenses out there that won’t empty your bank account. - Source: Internet
• The Sony FE 100mm F2.8 STF GM OSS lens is a very unique lens in the Sony FE lenses line-up since it includes a built in apodization (APD) filter. This is a clear glass filter that progressively darkens similar to a neutral density filter as you get further away from the center of the lens. - Source: Internet
• It has Nano Porous Coating and Super Multi-Layer Coating. They ensure good contrast and resistance to ghosting and flare. It also has these lens elements. - Source: Internet
• And on the topic of autofocus, do you hate the tedious and time consuming task of micro-adjusting all of your lenses? With Canon and Nikon DSLRs, I would have to go through this process of setting up a focus target, and taking a seemingly endless series of test shots at various distances with every lens to get the focus adjusted, and then repeating this procedure with each camera body. And even then, after all that time invested in adjusting all my lenses and bodies, sometimes the focus would be off in certain lighting conditions, requiring a stressful and hasty on-the-fly tweaking of these settings on-site before the event began. But this has not been necessary with my Sony system (I don’t even think Sony mirrorless cameras even have this capability, since it’s not needed)… all of my lenses focus dead-on accurately and reliably straight out of the box, even wide open, with absolutely no tweaking required. This is another benefit of the phase-detect focus being on the image sensor, rather than a physically separate autofocus module as on a DSLR. - Source: Internet
• With its focal length of 14 mm, the lens falls into the wide-angle category. It offers incredible image quality, but at a very high price. You should expect to pay about 1,500 euros. - Source: Internet
• If you don’t want a prime lens and prefer the flexibility of a zoom one, then a good option is the Sony 24-70mm F4 Vario-Tessar T FE OSS. It’s my pick as the best budget lens, and I think it works well as a street photography lens too. It’s also light and has a good range for street photography. It won’t perform as well as the prime lenses at night, but you won’t find anything better in that regard. Not without spending a small fortune for a much heavier lens. - Source: Internet
• Wildlife photographers often take their best pictures with their shortest and longest lenses. Wide-angle lenses are best for close-range encounters with large animals. These can be elephants and rhinos. Telephoto lenses are best for close-ups or bringing distant animals within range. - Source: Internet

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